Chloé’s latest must-have isn’t something you wear — it’s something you live with.
Unveiled during Milan Design Week 2026, the house’s re-edition of the iconic Tomato Chair moves beyond the traditional fashion space, tapping into a growing appetite for design-driven interiors. Created in collaboration with Poltronova, it reintroduces one of the most distinctive silhouettes of 1970s radical design to a new, fashion-aware audience.
Under the direction of Chemena Kamali, the design finds a natural alignment with Chloé’s contemporary language. Its organic curves and tactile presence echo the house’s ongoing exploration of softness and fluidity, translating its aesthetic into a more immersive, spatial context.
Rather than a simple reissue, the project positions the chair as a collectable. Produced on a made-to-order basis, it is realised in naturally tanned leather across a refined palette of cream, cognac, sand and black — bringing clarity and depth to its sculptural form.
Presented in Milan from 22–26 April at Via della Spiga, the installation reflects a wider evolution within luxury, where the boundaries between wardrobe and interior continue to dissolve. For Chloé, it becomes less about furniture and more about a way of living — an extension of identity shaped through design, emotion and craftsmanship.
The result is a quietly confident statement during Milan Design Week, speaking as much to collectors and design purists as it does to the fashion audience.
