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Cristiano Temporin is an Italian photographer whose work spans portraiture, fashion, beauty, and fine art. Dividing his time between Milan and Rome, Temporin brings a refined sensibility to his practice, capturing individuality and elegance with a distinct visual language. His images reflect a deep understanding of composition and emotion, merging contemporary aesthetics with timeless artistry.
With features in publications such as L’Officiel Arabia and Nasty Magazine, Cristiano Temporin has established himself as a thoughtful and collaborative creative partner. His approach is meticulous yet intuitive, shaped by a strong narrative impulse and a dedication to craft.
In the following conversation, Temporin offers a candid look into his Conceptual process, his influences, and the philosophies that guide his work. It’s a dialogue that reveals not only the technical finesse behind his images but also the emotional depth that defines his photographic voice.
How did you first get into photography?
Photography was originally a passion I inherited from my father. I eventually set it aside to study acting, but due to personal issues, I had to leave that path. That’s when I rediscovered photography—and I’m truly glad I did.
Where do you usually draw inspiration from?
It really depends. Sometimes I sit down, play some music, and let my imagination build scenes that could tell a story. Other times, I browse Pinterest or simply take inspiration from things I see around me. It often reflects the period I’m living through at that moment.
In Magical Realism for Schön! Magazine, you explore the boundary between the mundane and the fantastical. Can you discuss your approach to creating this ethereal atmosphere?
That project was born out of a collaboration with my first assistant. We brainstormed together, shared ideas, and gradually shaped what became the final concept. It was very much a team effort built on shared vision and creativity.
Your editorial Bubbles for Numéro Netherlands evokes lightness and fluidity. What was the creative process behind capturing this sense of movement?
I was searching for something that could give me a deeper sense of expression. I pursued a new direction with this series, but honestly, it didn’t fully satisfy me. Sometimes exploration means discovering what doesn’t quite work, too.
You’ve worked with various stylists, makeup artists, and designers. How do these collaborations influence your photographic style?
The whole team is fundamental. Every role contributes to the success of a project. I’m just the final piece that brings the image together. Even the smallest detail out of place can compromise the result, so collaboration is key.
In your Numéro Netherlands editorial, the styling feels avant-garde and theatrical. How do you ensure your vision aligns with the creative team’s direction?
I usually spend a lot of time talking with my team. I really value their opinions and ideas because I want them to feel truly part of what we’re creating. We discuss everything in detail so we can build a shared vision.
What catches your eye in a subject?
The details—the elements that come together to build the image.
What do you try to capture about them?
I aim to highlight each individual detail, drawing the viewer’s attention to the message or emotion I want to convey.
Who have been some of your biggest influences in photography or art?
At the beginning, I was really inspired by photographers like Tim Walker and Nicholas Fols. Over time, I moved more into fashion photography, incorporating what once inspired me into my current vision. Artists like Elizaveta Porodina and others have also shaped my style as I’ve worked to develop my own personal voice.
What advice would you give to someone just starting out in fashion photography?
Know that it’s going to be tough. You’ll have to experiment a lot and never give up. Most importantly, don’t ever think you’ve made it or that you’re above anyone else. In this industry, one day everyone praises you, and the next, it’s like you don’t exist. Stay humble and keep pushing.
